Jonathan is a Jewish American young man
who, after visiting his dying grandmother, received a blurred photo on
which his young grandfather was standing with a beautiful young blond
woman in a peaceful field. In the back of the photo there was a
handwritten note: "Augustine and me. Trachimbrod. 1940". From then,
Jonathan started his complicated trip to find Augustine, the woman who
helped his grandfather to leave the Ukraine in the Second World War.
Jonathan
is a collector; he keeps different objects related with his family
story. When his grandmother died, he had a vivid memory about how he got
his first object for the collection. When he was a little child, he
grandfather died in the same white and luminous bedroom. Next to the bed
there was a white nightstand, with his grandfather's old glasses, the
leather wallet and a lovely ancient pendant. Jonathan took the
transparent and yellowish pendant which had a tiny cricket inside. Then,
in the kitchen, he looked for a zip bag and carefully put the pendant
in there. Later he went to his bedroom. At the moment that Jonathan
opened the bedroom door, his memories faded and now he was in front of
his "family wall".
From my point of view, this is one of the most
fascinating images from the movie. The scene seems like an amazing
installation art. The large light yellow wall is completely covered with
diverse objects inside translucent zip bags. In the top part of wall
there are five framed photographs. Each photo is a portrait of
Jonathan's relatives and at the bottom of each photo are their names and
birth dates. The composition is extremely impressive and the warm light
through the window generates a special atmosphere in the room, almost a
magic dream.
When Jonathan comes into the bedroom, he watches
astounding his huge collection. In his right hand he has his
grandmother's spotless dentures in a bag that he puts it on the wall
with a tiny tack below his grandmother's photo. Around, there are other
grandmother's objects into bags that Jonathan has collected through the
years: a gray scarf, a ten of clubs card, an old envelope with red,
green and black stamps. Each bag has a white sticker with the year and
month in which the object was collected. That system are on objects of
whole wall and each object has been placed around the photo of its
owner.
As a three-dimensional family album, the Jonathan's wall
compiles and contains memories and experiences of his relatives in the
objects and allows to know them in a different way. Through small pink
pills, a disgusting wishbone chicken, a well-worn photo, a squashed
tape, an ancient oxidized key and a pale check book; it is possible to
know part of Sam's life, a gentle man with gray hair and big black
glasses. Next to Sam' objects it is Carol's photo, around there is an
insulin syringe, a small green cassette, a blurred photo and one dollar
of 1984. In the collection also there is a black feather, a crumpled
love note, a little handcrafted toy and yellowy dental appliance of
Marty. Finally they are Michael's objects, balloons, a nice bib, a
nauseating thing with toadstools of 1992, a used condom and a diskette
with a drawing of a woman.
Opposite the "family wall" there is a
tidy desk with some folders and a small lamp. On the wall there is a
likeable photo of Safran Foer, Jonathan's grandfather. Below of the
photo, there is a only object, completely alone, the pendant with
cricket. Jonathan takes out the pendant from the zip bag and looks the
object thoroughly. Then he watches the photo that his grandmother gave
him and discovers something amazing; Augustine, the woman in the photo
has exactly the same pendant. He makes a decision to start his rigid
research to find Trachimbrod and that enigmatic woman.

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